Exploring concepts of Dalit Futures/Dalitfuturism, inspired by Afrofuturism, Siva delves into science fiction, technology, sociology, mythology, and lived and imagined futures; imagining alternative ‘futurities’, challenging at the same time the status quo of the future placed as an horizon by capitalism. Under a traditional linear representation of time, a present is open to many – if not infinite – futures.

Khôral: Khôra (Khora or Chora; ancient Greek) is a philosophical term described by Plato in Timaeus as a receptacle, a space, or an interval. It is neither a being, nor a non-being, but an interval in which the forms were originally held.  As a gallery that explores paper-based practices; we are keen to show not just sculptural works made of paper, but also works that explore a deeper conceptual relationship between ecology and us. 

Khôral: Khôra (Khora or Chora; ancient Greek) is a philosophical term described by Plato in Timaeus as a receptacle, a space, or an interval. It is neither a being, nor a non-being, but an interval in which the forms were originally held.

Rajat Sodhi and Christoph Klemmt’s practice at Or project uses computational design to invent architectural structures and immersive installations

Summer Somethings, a group exhibition showcasing a diverse array of practices on, and with paper was showcased at Pulp Society in 2023.

Barkha Gupta | Ferhat Salman | Harman Taneja | Harmandeep Singh | Mahima Kapoor  Raihaan Vadra | Sahaya Sharma | Shoili Kanungo | Shuchi Khanna | Sumit Roy

Begumpura, literally, the city without sorrows, is a utopian, casteless city imagined by Ravidas, the first utopia in South Asian history. The citizens of this city would no longer have to organize their limits around caste lines. Their life would be forged through an inherited legacy of anti-caste struggle, and abundant expression of the same would be found at every corner of this city. This is Rahee Punyashloka's debut solo exhibition in Delhi.

​Pasti, an exhibition with paper clay monolithic hand-moulded functional objects and works by SHED. A traditional Indian household is embedded with simple practices which take care of waste and refuse on the go – one such practice is to collect all the paper that a household accumulates over a period of time. It is this very practice that we decided to bring into the studio, albeit getting more ambitious with scale. 

​Pasti, an exhibition with paper clay monolithic hand-moulded functional objects and works by SHED. A traditional Indian household is embedded with simple practices which take care of waste and refuse on the go – one such practice is to collect all the paper that a household accumulates over a period of time. It is this very practice that we decided to bring into the studio, albeit getting more ambitious with scale.